“Tangos, Maxixes, and Magic-City: Dance Music and Cabaret Culture in Early 20th-Century Paris”
This session explores the lively world of early 20th-century Parisian dance music, from the cosmopolitan cabarets of Montmartre to the grand Magic-City dance hall. Through a curated program of tangos, maxixes, waltzes, and one-steps—performed by full orchestra, smaller ensembles, and voice/piano combinations—the presentation illuminates how Paris embraced, transformed, and at times resisted these imported dance styles.
Interwoven with the music will be narrative storytelling that contextualizes each piece within broader social, cultural, and musical trends of the era. Audiences will encounter colorful works by composers like René André, Huguet-Tagell, De Rhynal, and Macklin, many of which feature playful orchestrations, distinctive dance grooves, and cabaret flair.
Highlights include audience-participatory shouts during Huguet-Tagell’s raucous “Che!”, nostalgic waltzes evoking the pre-tango salon era, and rarely heard maxixes—the “Brazilian tango”—offering a glimpse into Paris’s transatlantic dance obsessions.
This program offers a new lens on the playful, hybrid character of early 20th-century popular music, revealing how these dance idioms both connected and divided audiences within the Parisian nightlife scene.
*Can be performed with a live performance group, or with pre-recorded audio from prior presentation performance.
